West Meets East

Please give my latest work a listen, it’s a little over 8 minutes long, and like and post it. I’m getting the word out that I do this type of thing. Thank you.

Robert Abate
[email protected]
231-421-1401
robertabate.com

Green

Recently I was approached by Michigan poet Robb Astor to provide a musical background for his written in Tanzania poem “Green”, here’s what we came up with:

 

green, how green

leaves of banana trees

fields

where crowned cranes danced

fields how yellow

dabs of yellow dappled fields

of african daisies

fireflies green with light

 

in darkness

shone stars i did not know

had never seen

rigel kentaurus

canopus

aldeberon

how we lay those nights

beneath the stars

show me you said

the southern cross

lost in interstices

of sky above the alleys

 

a green dress

satin shining in the shop window

your eyes in the glass

beneath old electric speakers

wired in the heights of marinets

the fullness of your hair eclipsing

clouds of magellan

 

how you danced

in midnight streets humming

that sappy bollywood music

the silhouette of you

beneath the screen and me

but oh how far from green i’ve wandered

 

how far

alcor

mizar

how cloudy my vision

all things colored

even the black mold

clinging to white stone

ruins where i used to sit

in forlorn grasses

drawing doorways in time-worn walls

Playing Melodies With Chords On The Guitar

Playing Melodies With Chords On The Guitar

This concept is very useful to guitarists regardless of any particular style or genre of music being played.  My explanation will be as simple as possible to include as many players as possible and their varied levels of music theory knowledge.  Yes, it is helpful to understand music theory when playing the guitar.

First it is important to understand that any chord that is played is in a certain key that is based on a certain scale and the chord is in a certain position in that key.  The most common scale used in Western Music is the Major scale.  The example that is going to be shown will the use an Am7 chord in the key of G Major.  The Am7 chord is based on the 2nd note in the G Major scale and the G Major scale uses all natural notes except for an F#.  The natural harmony of the G Major scale is: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, F#dim7, Gmaj7.  For you theory beginners an Am7 chord is not always in the key of G, which is another discussion.

What we are going to do is to follow the notes of a G Major scale up the 1st string on the guitar placing inversions of an Am7 chord underneath the melody note using all of the notes in the key in the melody including the notes not found in an Am7 chord.  Using this concept on the chords of the tune you are playing with the proper melody note will enable you to play melodies with chords on the guitar.

pdf Blog #16-page-001

It is best to use 3 or 4 note chords when doing this and obviously you can use the 2nd, 3rd and 4th strings for your melody note.

These kind of musical devices can be daunting for a person who hasn’t done them before, don’t let the difficulty scare you off.  If you need to find a good teacher who knows his stuff who can take the time with you to explain what you don’t understand.  Begin working.  You can do it.

 

Dominant Chords An Augmented 4th Apart In The Root

Dominant Chords An Augmented 4th Apart In The Root

The most powerful and most used progression in music is dropping a 5th in the root.  Anyone has merely to play a Dominant chord of a key followed by the 1st chord or Tonic of that key to understand why the monks of Europe in the Dark Ages named the 5th chord of a key Dominant.  It is an inherent rule of music that the Dominant chord leads to the Tonic.  Anyone can hear the settling of the tone center when this particular chord change is played.

#13 3rd's and 7th's REVERSEFor this particular example of chord substitution I’m going to use an E7 going to an A7 resolving to a Dmaj7.  The A7 chord in this progression is going to be substituted by an Eb7 chord which is the same chord type an augmented 4th away in the root.  You can hear in the example that this is a pleasing similar sound.  I don’t know why this works but it does.  It also happens that the 3rd’s and 7th’s of the A7 and the Eb7 are the same notes reversed in position, making the different chords quite alike.  What you can realized out of this harmonic device is a chromatically descending chord progression that is different from the cycle of 5th’s with the same amount of solidity and power.  When using this device you must adjust the chords to reflect the notes of the melody that are happening when the chord substitution is being played.

 

Chemical Reaction

Chemical Reaction, I’m feeling kind of hot

Chemical Reaction, You know I just can’t stop

‘Cuz you’re looking kind of sexy

And whatever comes I will

Chemical Reaction, I just can’t get my fill

 

When I see you walking down the street

I see you talking to the people that you meet

I want to tell you that I love you

But I can’t get up the nerve

The nerve, the nerve, the nerve

To say it’s so